Monday, March 21, 2011


So, my original composition was too scattered. I wanted to convey the tragedy of Link being "the one that got away" for Malon, since all he wanted from that farm was milk and a horse.... not the farmer's hot daughter. ::facepalm::

Anyway, I think this works a lot better. It gives more attention to the dynamics between each character and the lighting really helps stage stage the scene.


  1. Malon's hair seems exceptionally red. Then again her hair was always pretty red. Having her there makes Link's pose look a lot better. It seemed a little awkward when he was standing on his own. This is kind of like she's lightly pushing him towards Epona.

  2. Thanks! I think it looks a lot better, too. I wanted to convey a scene of her introducing him to the horse. I thought about having her hand cling to his arm, but she seems more independent than that, ha.